How to Write a Prologue that Hooks Readers

by Kristen Pham

Among those of us who proudly call ourselves writing geeks, the topic of prologues can be like discussing the morality of the death penalty in other circles. I know authors who hate them, as well as readers who skip prologues and go straight to the first chapter. Personally, I love a great prologue. I think of a well-written prologue as a teaser pulls me in to the story right away.

Don’t get me wrong, there are definitely times to avoid the prologue. But when used appropriately, prologues can be a powerful tool to hook readers and add an extra layer of tension or depth to the first reading of a story. Below are some of my favorite prologues in YA fiction and the lessons I took away from them. Each of these authors used their prologues to achieve different ends, but they all created an opening that hooks the reader and enhances the story that follows.

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Add dimension to your story by giving away a key piece of information.
Eleanor and Park by Rainbow Rowell
The prologue for Eleanor and Park sets up from the get-go that the two title characters in this teen romance are no longer together. By giving this away from the beginning, it makes the romance that follows all the more bittersweet. It also adds an element of danger – are they broken up because the heroine died? Constructing the prologue this way adds to the tension of the story in key scenes, and the payoff in the end is very satisfying.

Inform readers of key backstory.
Paper Towns by Josh Green
Paper Towns was the book that got me thinking about the effectiveness of backstory. The author uses a prologue to introduce readers to a key scene that is telling about the two main characters in the story, a suicide that they witnessed as children. The scene is prologue-worthy not only because it reveals the personalities of the two main characters, but also because the incident has an impact on how they process the world for the rest of their lives.

Give readers a peek into the future.
Timebound by Rysa Walker
A prologue can be the perfect tool to drop readers in the middle of action without frustrating them. It’s a great hook, and you can then back up and tell your story more slowly when you begin with Chapter 1. In Timebound, we quickly discover that the protagonist is time traveling, and is in incredible danger. The mystery of what’s happening in this scene become unraveled throughout the book, and we only discover how it is resolved in the climax.

Use your prologue to set the stakes.
Sanctum by Sarah Fine
In Sanctum, the heroine goes to a kind of hellish afterlife to save her best friend from an eternity of limbo, while risking her own chance at finding heaven. To understand why she would go to these lengths, the reader has to understand the relationship. Fine skillfully uses her prologue to establish the roots of the friendship, as well as the roots of the problems that lead to the premise of the story. The prologue captures the reader’s attention and leads seamlessly into the story that follows.

Subvert expectations.
Twilight by Stephanie Meyer
The Twilight series has its detractors, but I thought Meyer did an excellent job with her prologues, particularly in the first book of the series. As the heroine explains that she is happy to die for love, it not only tells us something about her character, but also sets us up for the climax of the book. Throughout, we are sure that Bella will be sacrificing her life for her new soul mate, but in fact the prologue is talking about her love for her mother. The surprise was sweet and increased my sympathy with the protagonist.

Did you include a prologue in your story? If so, what purpose does it serve?

AMC Buzz Team – February 17

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Storyteller: Shades of Evil is a collection of one Novella and four short stories. #amcbuzz


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Friday’s 99cent eBooks


By: Robin Storey
Can you find love online?
For forty-something divorcee and writer Susie Hamilton the answer is to join an internet dating agency ”” under the guise of professional research for a book. With her hyped-up profile she attracts a horde of admirers and begins an exhausting dating schedule. *The result is plenty of material for her book, but her love life is a series of mishaps and disasters.
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Religion & Spirituality

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Children’s Books

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Book 1 of The Millionth Trilogy
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With over 500 pages of action adventure and thrills, these individual books have earned 7 five star badges from Readers’ Favorite and over 45 positive reviews on Amazon.

Science Fiction & Fantasy

By: Lucinda Elliot
Two males are in love with aspiring model Natalie Nicholson, and she is not even sure that one of them is human. These are the best selling writer Alex Sager, and his own fictitious character, the wicked but beguiling Ivan Ostrowski from early nineteenth century Tsarist Russia.
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Natalie is unwillingly drawn into a nightmare situation which few can credit. Alex himself cannot believe – as his closest friend insists – that he has brought this situation about through insulting a sinister being known as ‘The Magus’ at an Ouija board session many years ago. He also refuses to credit the increasing parallels between his own life and that of his idol Pushkin, the great poet of Tsarist Russia, whose life was tragically cut short through a duel over his wife.
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